work > The Woulds

The Woulds, a collaborative installation with Laurel Roth Hope, was commissioned by the Contemporary Jewish Museum in San Francisco for their show Jewish Folktales Retold: Artist as Maggid which will run until January 28th, 2018. The artists were each given the book Leaves from the Garden of Eden, a collection of traditional Jewish folktales, and asked to create a piece based on one of the stories.

The Woulds
wood, ceramics, glass, mirror, video, motors, paint
168 x 168 x 144 inches
2017
The Woulds (detail)
wood, ceramics, glass, mirror, video, motors, paint
168 x 168 x 144 inches
2017
The Woulds (detail)
wood, ceramics, glass, mirror, video, motors, paint
168 x 168 x 144 inches
2017
the Woulds (detail)
wood, ceramics, glass, mirror, video, motors, paint
168 x 168 x 144 inches
2017
the Woulds
wood, ceramics, glass, mirror, video, motors, paint
168 x 168 x 144 inches
2017
the Woulds
wood, ceramics, glass, mirror, video, motors, paint
2017
the Woulds (detail)
wood, ceramics, glass, mirror, video, motors, paint
168 x 168 x 144 inches
2017
the Woulds (detail)
wood, ceramics, glass, mirror, video, motors, paint
168 x 168 x 144 inches
2017
the Woulds
wood, ceramics, glass, mirror, video, motors, paint
168 x 168 x 144 inches
2017
The Woulds collaboration with Laurel Roth Hope
[Vimeo]
wood, ceramics, glass, mirror, video, motors, paint
168 x 168 x 144 inches
2017

Forests and trees populate a number of stories from Jewish folklore and particularly caught the attention of the artists: the forest as representation of the unknown, as landscape to journey through on a quest, or as a character itself. The protagonist is always changed by their journey through a forest. The Tree of Life tells the story of souls beginning as fruit on the celestial Tree of Life before descending to Earth to be clothed in a human body. Some stories describe these souls as bird-like, using trees as stopovers on their way to their new bodies and accompanied to Earth by birdsong from the sparrows that see them on their way.

Andy Diaz Hope’s work focuses primarily on humanity’s impact on its own internal landscape while Laurel Roth Hope’s focuses on humanity’s impact on the external world. In their collaborative practice they combine concepts and skills sets to create installations from these distinct viewpoints. For their installation The Woulds they have created a forest of tree-like sculptures made of wood, mirror, and glass that is part geometric and part organic, as a way to integrate the ethereal with the natural. They imagine how a forest might appear to a bird that can see between worlds, a forest where the trees have souls and exist in multiple planes -- physical and spiritual.